Venturing ever farther with the next batch of IFComp entries, as I review my initial impressions of each game’s opening (introduction, “About” screens, and the first location), summarized by the Capture Score from 1 (intriguing; a definite play) to 4 (dreadful and forgettable). Just a reminder, no spoilers here, just early impressions.
Games covered here include “Grief”, “April in Paris”, “Ananachronist”, and “LAIR of the CyberCow”.
“Grief”, by Simon Christiansen
This game starts by asking me if I’m male or female. I like when games do this, given the extra amount of work that this typically requires, although I don’t yet know how well this is incorporated into the game or what kind of impact it might have on the [More...] Read the rest